My brother got Batman: the Dark Knight Returns for me during Christmas. We had talked about how it was super influential in regards to Batman and comics in general (this review by Stephen on Goodreads sums up the historical significance quite nicely), but I purposely didn't really read what it was about so I could just let the story happen with as few expectations as possible.
The Dark Knight Returns starts with Batman having been retired for ten years. But unlike in The Dark Knight Rises, Batman hasn't been moping about in his home all alone; he's been living life as billionaire Bruce Wayne. But with crime spiking in Gotham thanks to the Mutant Gang, something inside Wayne snaps and he can't keep the Batman hidden inside anymore; Batman returns with a vengeance. But Wayne is a man pushing sixty. Being the Batman is no longer an easy task for his older body.
But Batman is not alone in his war against these new criminals. He is joined by Carrie Kelley, a girl who is inspired to become the new Robin after Batman saves her. Unfortunately though, Batman's return doesn't just inspire the good like Kelley; the Joker also returns with a vengeance!
I wasn't remotely prepared for how political this story was. In many ways it reminded me of Watchmen in how much it comments on the very real threat of nuclear warfare that people living during the Cold War were dealing with. But the book also looked at how people in and around Gotham reacted to the Dark Knight's return, with ordinary citizens, doctors, and politicians commenting on whether or not Batman is a menace or a boon to Gotham City. This book also dealt with Commissioner Gordon retiring and being replaced by a woman who very much believed Batman was a menace.
While the story is interesting from so many angles, I have to say, I was not a fan of the art. The heads were weirdly blocky, and it was hard to distinguish who a good chunk of the characters were supposed to be (Lana Lang in particular - if they didn't say that's who she was, I would have had no idea - but I'm also more familiar with more modern iterations of her character).
I can usually get through a typical graphic novel in an hour or two of reading. The Dark Knight Returns is NOT your typical graphic novel. There's so much dialogue in this that it gets a bit overwhelming at times. It took me several days devoting a bit of time here and there to get through the whole thing. Luckily it is broken up into four fifty page chapters, so I generally was just trying to make a mad dash to the end of the chapter before I would put it down and go about the rest of my day.
So all in all, I enjoyed Batman: the Dark Knight Returns. It's very interesting for its historical and political commentaries on the time it was written. It's very interesting for how it made Batman a much grittier hero than he had been in decades. And it's just a really good Batman story in general.
Showing posts with label Klaus Janson. Show all posts
Showing posts with label Klaus Janson. Show all posts
Wednesday, June 14, 2017
Sunday, May 30, 2010
Batman: Death and the Maidens
After reading The Long Halloween, I decided to give Batman: Death and the Maidens a try (I have one more Jeph Loeb/Tim Sale book left, and kind of wanted to save it. Plus this is shorter than Dark Victory).
Reading the introduction to Death and the Maidens, I became quite excited. This was, according to the editor Matt Idelson, Greg Rucka's best work. Having no experience with Greg Rucka's work, I was prepared to be amazed. Unfortunately, I was not amazed.
As you can tell from the cover, Death and the Maidens deals with Ra's Al-Ghul. I don't know a lot of the history of him, but he is a bit more supernatural than I like my Batman villians to be (with the Lazarus Pits and him being centuries old and all). So when we are immediately introduced to a hitherto unknown daughter of his, Nyssa, and her back story gets spliced into the action of the main story, I had a bit of a hard time. The problem was both little knowledge on Ra's and company, but also I didn't really care what was going on.
The main idea is that Nyssa is completely against her father, wanting him dead. And Ra's is dying, having been deprived of his Lazarus Pits by Batman (I think). So Ra's visits Batman with a desperate deal: he will trade Batman a drink that will allow him to communicate with his dead parents in exchange for a working Lazarus Pit. Meanwhile Nyssa is busy kidnapping her sister Talia and plotting the murders of both her father and Superman. (As a side note, Superman has an awesome and completely unexpected moment in this story).
One of the main problems with this story was one pointed out by Craig Johnson on Comics Bulletin: Batman is like a side character in this story. Even the whole plot with his parents seems completely unnecessary.
So overall, I wasn't really fond of this graphic novel. The story was just okay, nothing special. I'd pass this up in favour of something like The Long Halloween or Knightfall pt 1.
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